REVIEWS

2003 Discordant Pastoral:Painting in the Age of Lost Luggage. James Biederman at Art Lab Gallery By: Lori Ortiz

2002 A Controller of Chaos With No Fear of Paint By D. Dominick Lombardi

2004 Ortiz, Lori, “The Color Imperative”, offoffoff.com, May 21, 2004

2003 Ortiz, Lori, “Discordant Pastoral-Painting in the Age of Lost Luggage”, www.wburg.com December

2003 Fressola, Michael, “The Titles Talk at the Art Lab Show”, Staten Island Advance, Friday, August 8

2002 De Coppet, Lauras, Alan, The Art Dealers, Cooper Square Press, 2002 (Book), p.202

2003 Halasz, Piri, From the Mayors Doorstep, No.44, January 15, 2003, p.17

2002 Johnson, Ken, “Lifelike, Abstract or Funky, What Exactly is a Drawing”, NY Times, Friday, September 27

2002 Lombardi, Dominick D.,”A Controller of Chaos With No Fear of Paint: James Biederman: Paintings and Drawings

2002 The New York Times, Westchester section, Sunday, March 3, 2002

2000 McCelland, Eileen, “Summer Soiree”, Naples Daily News, August 24, 2000

1999 Kalm, James, “Painting IV:Wanderlust”, N3 Project Space, NY ARTS, vol.3, no.4, April 1999

1999 Nelson, Samantha, “Pick 3”, Waterfront Week, Febuary 15, 1999

1999 Newhall, Edith, “Happening Homework: James Biederman’s N3”, New York, Febuary 15,1999

1998 Smith, Roberta, “Brooklyn Haven for Art Heats Up”, New York Times , Friday, November 6, 1998

1992 Then & Now, exhibition catalogue, Philippe Staib Gallery, NYC, 1992

1991 Amerikansk Kunst Efter 1960, exhibition catalogue, GI. Holtgaards, essay by Oystein Hjort, March-April 1991,p.11

1991 The “Goings On Around Town”, Ne w Yorker, April 15, 1991, p.13

1991 Deconstructed Painting: Some Younger Artists in the 1980s, By: Holland Cotter

1991 Biederman, James, “Artist’s Writings”, Art Journal, College Art Association, Curt Barnes, ed. Spring , p. 4

1991 The Grid Organization and Idea, exhibition catalogue with essays by Karl Lunde and David Raymond, Ben Shahn Gallery

1990 The William Paterson College of New Jersey, Wayne, New Jersey, April 1990

1990 Friedrichs, Yvonne, “Doppellaussstellung bei Muhlenbusch: Blosgeletesinneres”, Dusseldorf Feuilleton, Rheinische Post September 3, 1990

1990 Bernhard, Renate, “Galerie Muhlenbusch-Winkelmann: Oh Schreck! Nichts als Gips und Stroh”, NRZ,March 8,1990

1990 Kur, “Aus den Galerien: Muhlenbusch, Dusseldorf”, Handelsblaft, March 6, 1990

1990 James Biederman, catalogue with essay by Andreas Vowinckel, Galerie Muhlenbush-Winkelmann, Dusseldorf, Germany, 1990

1989 Artists of the 80’s Selected Works from the Maslow Collection, exhibition catalogue, Sordoni Art Gallery, Wilkes-BarrePennsylvania, 1989

1988 Gilbert-Rofe, Jeremy,”Art: Pick of the Week”, L.A. Weekly, January 15,1988

1987 Ellis, Stephan, “Review”, Art in America, October 1987, p.117-118

1987 Jones, Amelia, “Room for Conceptual Experimentation”, Artweek, December 19, 1987

1987 Baker, Kenneth, “Biederman’s Paintings”, San Francisco Chronicle, June 13, 1987, p.41

1987 James Biederman, catalogue with essay by Tiffany Bell, John Weber Gallery, 1987

1987 Flam, Jack, “Old Artists, New Styles: Painters on the Move”, Wall Street Journal, March 25, 1987

1986 “Prints and Photographs Published”, Print Collectors Newsletter, vol.XVII, no.4, September/October

1986 Contrasts of Dabrowski, Magdalena, Form: Geometric Abstract Art 1910-1980, book, published by The Museum of Modern Art NYC, 1985, p.207

1985 “Artists Toys”, Art & Antiques, December, 1985

1984 Tit for Tat, exhibition catalogue with essay, “Constructive Abstraction”, by Peter Chametzky and Sue Fellman, The Alternative Museum, NYC, 1984

1984 New Art, book, published by Harry Abrams, New York, 1984

1983 “Drawing”, New Observations, no.8, Spring, 1983

1983 Cohen, Ronny H., “Drawing Now in New York City: The Pictorial Image of the Eighties”, Drawing, January-February 1983

1983 New Observations: Art and Culture, exhibition catalogue, John Weber Gallery, NYC, 1983

1983 Eisenman, Stephen, “Review”, Arts Magazine, April 1983, p.32

1983 Cohn, Ronnie H., “Review”, Artforum, April 1983, p.72

1982 “New Drawing in America”, exhibition catalogue, The Drawing Center, NYC

1982 Fuchs, Rudi, Documenta 7: Kassel. VolumeI&II, exhibition catalogue, introduction by Rudi Fuchs, editorial by SSKIA Bos, 1982

1982 Phillips, John, “English Painters and American Draftsman”, The New York Times, Sunday, March 21,

1982 Zeichuna Heute:2 Internationale Jugendtriennale & Meister der Zeihnung, exhibition catalogue, Kunsthalle, Nurenberg, West Germany

1982 Tuchman, Phyllis, Biederman-Gummer-Kendrick, exhibition catalogue with essay, The Arts Club of Chicago, 1982

1981 Currents: A New Mannerism, exhibition catalogue, Jacksonville Art Museum, Jacksonville, Florida,

1981 Color on Structure, exhibition catalogue, William Paterson University, Wayne, New Jersey, 1981
Eisenman, Stephen, “Review”, Arts Magazine, Summer, 1981, p. 128

1981 Cohn, Ronny H., “A s Survey of What, How and Why Younger American Artists Are Drawing So Much Today”, Drawing, vol. LLL ,no.2 July/August 1981

1981 Smith, Roberta, “Seductive Selections”, The Village Voice, June 10, 1981

1981 McFadden Sara, “James Biederman at Weber”, Art in America, June 1981

1981 Art 1981: Chicago Navy Pier, May 14-19, 1981, exhibition catalogue

1981 Pincus-Witten, Robert, “Entries: Sheer Grungs”, Art in America, May 1981

1981 Cohn, Ronnie H., “Review”, Artforum, March 1981

1981 Kramer, Hilton, “Art: The Modern Shows Off Acquisitions of Drawings”, The New York Times, March 20, 1981

1981 Mann, Virginia, “All in Line”, Arts, February, 1981 Miami

1981 Dobbs, Lillian, “John Weber Artists Rejects Traditional Mold”, News, January 23, 1981

1981 Russel, John, “Review”, The New York Times, Friday, January 23, 1981

1979 Kramer, Hilton,”Art: 18 In the Constructivist Tradition”, The New York Times, December 14, 1979

1979 Tatranski, Valentin, “Review”, Arts, February 1979

1975 Heinman, Susan, “Review”, Artforum, February, 1975